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Ang Dragon Ball Super: Super Hero ay ang pinakabagong pelikula sa matagal nang franchise ng Dragon Ball. Ito ang unang ganap na 3D na animated na feature ng serye, at nakatutok sa Piccolo at Gohan habang sinusubukan nilang pigilan ang pagbabalik ng kasumpa-sumpa na Red Ribbon Army… kasama ang dalawang bagong android! Nakausap namin ang English cast ng pelikula tungkol sa produksyon, kanilang mga performance, ang epekto ng serye, at marami pang iba. Tingnan natin kung ano ang kanilang sinabi! Ang Dragon Ball Super: Super Hero ay ipinalabas noong Agosto 19, 2022 sa United States at kasalukuyang pinapalabas sa mga piling sinehan sa buong bansa.

Zach Aguilar Jason Marnocha Sean Schemmel Christopher Sabat Kyle Hebert Aleks Le Zeno Robinson Honey-Chan Panayam kay Zach Aguilar (Dr. Hedo), Jason Marnocha (Carmine), at Sean Schemmel (Goku) [gray-hex-decoration] Zach, Dr. Nais ni Hedo na maging bayani, ngunit siya ay nauwi bilang isang kontrabida sa halip. Ano ang pakiramdam na gumanap ng isang karakter na may ganitong uri ng kumplikadong katapatan? Naku, napakasaya! Hindi pa talaga ako nakakuha ng pagkakataon na gumanap ng isang sira-sira, kontrabida na karakter. Talagang hindi niya sinasadya-talagang nakatutok lang siya sa kanyang pananaliksik; yun lang talaga ang inaalala niya. So, going into the role, I had to remember na hindi naman siya may masamang hangarin. Talagang gusto niyang maging isang baliw na karakter na siyentipiko. Pero oo! Natuwa ako sa pagre-record nito sa booth. Si Chris Sabat, ang aking direktor, ay hinayaan lang akong pumunta sa lahat ng lugar kasama nito, at sobrang natuwa ako sa kung ano ang nangyari. Hindi ba siya rin ang ultimate fanboy, Zach, na gusto niyang gawing”cool looking”na mga bayani? Siya ay! Gusto niya ang mga bagay na maging kanyang bersyon ng”cool”, tulad ng Ginyu Force… ginagawa ang lahat ng maliliit na dabs (gumagawa ng dab) at mga pose. Oo, medyo Power Rangers, Ultraman, Kamen Rider. Nakakatuwa, dahil sa isang alternate universe siguro ginawa niyang Dragon Ball style heroes! Oo, eksakto! I think it’s refreshing na nagbigay sila ng isang baliw na scientist character sa isang mas batang indibidwal. Dahil siya ay 24 lamang, kaya kung ano ang kanyang bersyon ng”cool”-kung paano niya nakikita ang mundo-ay magiging ganap na iba sa kung paano ang isang tulad ni Dr. Makikita ni Gero ang mundo at magkaroon ng sariling ambisyon. At parang wala siyang nabubuhay kundi Oreos. (laughs) Ang pinagmumulan ng kapangyarihan niya! Dapat ay mayroon siyang Oreo form-iyon ang kanyang kapangyarihan. I need a t-shirt that has the Oreo logo, but says “Dr. Hedo” or something. Yeah, it says Hedo instead of Oreo! Make the licensors all mad. Make it happen – please! So for Jason, we have Carmine. He’s very subtly funny, with his lavishly produced videos and his perfectly coiffed hair, but his actual performance is more level. How did you imbue that with his funny traits? I think it’s because he takes himself very seriously, which is quite a thing to do when you’re wearing a red suit and your hair is this tall and you have to put a dome over the driver’s seat of your car to even fit it in there. Taking yourself seriously with all of those circumstances is quite a feat. But he’ll just be very even keeled, and then something will happen and he’ll kind of chuckle at Magenta or he’ll throw out a “humph” at someone else. It was fun to have those little moments because it just adds a little pop of personality to this otherwise very blank, serious character. Those little pops of humor were one of the joys of recording this, for sure. I feel like that was kind of the tone of the movie in general, that everything had this undercurrent of almost parody to it. It was very entertaining. Yeah, yeah! For Sean, then. Since you’ve played Goku for many years, do you feel as though your performance has changed over time with either the series’ writing or your own growth as a voice actor? Yeah, I feel like with any voice actor, if you look at season 1 of The Simpsons or any other show, you’ll see them evolve over time. And I’ve had a lot of different strings pulling at me over the last 20+ years on the show. People ask me about the difference in Goku between Z and Super, and I personally don’t see a change as much as I see an emphasis on different parts of his personality. And that’s all from the writing that comes from Akira Toriyama and Shueisha and I’m interpreting what they write, as an actor. I think they’re leaning more into Goku’s goofy side and the fact that Goku wants to fight the strongest no matter what – he isn’t necessarily that altruistic, Superman-like hero in terms of saving the world. But all of those things have been true about Goku since the get-go. And Super seemed to me to lean more into comedy, which is my favorite, so I really think they’re making some smart movies in terms of preserving what hardcore fans like and emphasizing some of the other aspects of the Dragon Ball universe such as humor and silliness. Are you saying that you noticed [a difference in the performance] as well? To an extent. It’s more that you’ve been working with the same character for so long that I would figure that it’s not the same performance in the same way as it used to be. I mean, yeah! Here’s the weird thing about it: Goku, unlike any other character on the show, is the child-like character no matter what. Many of the other characters, in particular Piccolo and Vegeta, have grown and evolved. But he fundamentally stays the same, because if he grows into some proud Saiyan warrior, now you have two Vegetas on the show. [We need] that difference between Goku and Vegeta. Their relationship has grown into this friendly rivalry with Vegeta being the one wanting to meditate, and Goku’s like, “C’mon, let’s fight!” Goku’s a very simple character who’s complicated to play. He doesn’t have a deep, brooding past like Vegeta; he’s just like, “Let’s fight! It’s fun!” no matter what. So, to play that over 20+ years and keep it fresh is a bit of a challenge, and to not get stale for me. Which it doesn’t, but on days where it does, there’s usually a scene where I’ll change that… such as screaming. I’m sure you have much experience with screaming. Oooh, yeah! And then, for everyone, what would you consider to be the most rewarding part of your career? For me, it’s when we go to the conventions and meet the kids and the fans. Because we’re in the booth by ourselves. It’s not like you’re a theater actor and you do your performance and hopefully they like it, and if they clap you bow, and if they don’t clap and throw tomatoes then you dodge. In this case, the love is overwhelming, and to see that gratification – particularly going over decades, where parents are like, “I named my kid Gohan and now they’re having kids and I’m going to show them this!” – it’s an intergenerational thing. The most gratifying thing is meeting everyone who watches it. Yeah, oh my gosh, I 100% agree with what Sean said there. Going to the conventions, meeting people. Because when we work on a film, especially for an anime dub, people don’t realize that it’s just a team of maybe three or four people in the room. It’s me, the engineer, the director… and we’re recording individually, so we’re not even working directly with the other actors sometimes. We’ll run into each other in the studio, but that’s about it. But going to these conventions and meeting kids and their families… an entire family will cosplay something from a show and I’m like, “Oh my gosh, the gang’s all here!” That’s the literal cutest thing ever. Right? And it’s just so cool to see – it’s unreal when people come up to me. And I’m still newer in this industry and just getting my feet planted. It’s just surreal when people come up and say, “Hey, I had this really hard time in my life, and watching your scenes from your performance in this show helped get me through that.” That blows my mind because, for me, people such as Sean – who’s been doing this for so long – watching his scenes from Dragon Ball all the way back when is what got me through school. Watching Goku… that was the coolest thing for me. So to be that for somebody else is just… mindblowing. Yeah, they nailed it. That’s exactly it. You often feel very contained in the working environment itself, so getting to pal around with people who enjoy the things you do is immensely gratifying, and very humbling. It’s just joy! And it’s great to be able to share that with folks. Interview with Christopher Sabat (Piccolo/Vegeta, ADR Director) and Kyle Hebert (Gohan) [gray-hex-decoration] Chris, this is the first time in a long while that Piccolo has been able to show off his strength and intelligence to this extent. What particular parts of this were the most exciting for you to do? Well, it’s most exciting that Piccolo actually got to do something, because he hasn’t had a major power up since he fused with Kami way back in the day. So the power up is mostly for the fans, and it’ll be amazing to see that happen, but what I really love about Piccolo is just to see his tactical elements. He’s always been the wise one – he’s always been the one that’s calm and collected for the most part, unless Gotenks is involved, but he’s always been the one to chill and think about what to do. And you can see him really struggling in this movie to come up with the best solution, because he can’t lean on the characters that he’s used to leaning on. It becomes very clear that this is a big problem. And you see him make the rounds, like, “Okay, we can try this!” and that doesn’t work. Or, “We can try this!” and there are none of those beans left, or whatever. So that’s a fun thing to watch. And, of course, it’s always amazing to see how close he is with Gohan and his family. I love all of the implications that he’s become an integral part of not only Gohan’s life, but Pan’s life as well. Yes, the humor that you see exuding from Piccolo is really, really great to see. Him trying to just keep up with technology… Yeah, he holds his cell phone like a weirdo. The aspect that I really love seeing in Piccolo is anytime he’s just trying to fit in, and it’s maybe awkward for him, but he wants to do it because he loves these characters so much. I loved the juxtaposition of him sneaking into the military compound and using the excuse that he was sick to his stomach. And then that sort of carries through that film, where [soldiers will say], “Hey man, sorry about your tummy. I think you’ll be all right. You can make it!” And Piccolo just has to live with that lie! That embarrassing lie that he told. That was great. I think it’s funny that the Red Ribbon Army soldiers just get along really well. They just care about each other a lot. (laughs) Yes, except for their “short man syndrome” leader, whoever that guy is. “You shut up, number 79!” or whatever his name was. …That wasn’t you, was it? No, but it was somebody I brought in. We weren’t sure what voice he was going to do, but that’s the one he landed on. Delightful – minor roles like that are very fun. So, for both of you, since you’ve played your respective characters for many years and they’ve changed over time, do you feel as though your performances have also changed? They become more informed because I think, when actors spend more time with a role, it becomes its own living, breathing entity. Chris has actually said this in the past when we were doing Dragon Ball Z Kai, “You guys are so seasoned at these characters that the show almost directs itself.” And I think that was a great observation that we all feel like we eat and sleep and breathe these characters, no matter how long we spend away. We come back in some sort of form, whether it’s a game or a TV show or a movie, and we’re doing that dance across different forms of media and feeding the frenzy that the fandom has had for so many years. And it keeps us jazzed. It just builds and builds like power levels in the show – we’re always excited to see where it goes next. Yeah, these dub actors have been working on this show for 20 years. Everyone knows their characters so well. And we’re super happy when something like this movie comes along where we’re able to actually use those skills. It’s so easy as a director – my only job is to make sure that everything sounds good together, but it’s only a matter of, “Hey, how can we take what you already know and just make this scene incredible?” And I think you’re going to find that the dub of this feature is remarkably good. We put a lot of thought into how everything is supposed to sound. I was sitting there – just like Piccolo with Gohan – in the control room, watching Kyle do these scenes that I was so excited for him to see. It was like bringing the whole family back together again to work on this film. Yeah, good times, good times. It felt right. I knew it was a matter of time – not if, but when – we would see characters like Gohan and Piccolo get to come into the spotlight a little more often than they have in the past. Because Goku and Vegeta are just… off doing whatever and can’t help. They’re in space! In more than one way. And since you were talking about directing people who have been with their characters for ages, there are also people in this film who are much newer to the industry or haven’t been in a Dragon Ball property before. Was that fun and interesting to direct different kinds of actors on the same project? It’s really funny that I spent half of my career just trying to explain to actors what the heck Dragon Ball even was. Because when I started, I had to explain the whole story. Yes, they’re fighters, they’re from space, they can wish upon the Dragon Balls… I had to explain to every person what the heck it was, because the only people who really knew what Dragon Ball was were like… 6 and 7 years old. So any actor that would come in, you would have to have a long explanation. Now, I’m sitting in a session with Zeno [Robinson] going like, “Okay, so you know that –“ and he goes, “Chris, I watch this show. I’m a huge fan of this show. You don’t have to explain that to me.” And I’m like, “I know, but I feel like I should, maybe.” So bringing people in and watching their excitement, you can tell. The only thing I have to battle with is calming them down a little bit because they’re a little nervous; they understand that it’s important. Zeno and Aleks Le happened to be recording on the same day, and they’re friends with one another. And Zeno’s like, “Can I just watch Aleks do his, since I’m here anyway?” I’m like, “Yeah, if you want to.” And they were sitting there talking about how they might want to change the other person’s line! So we’re going, “Okay. Zeno, do you want to jump back in there and change the line so it works better with the one that he just did?” We had a lot of collaboration. There was a desire on everybody’s part, new actors and old actors, to make sure that this film was incredible. Because we all know how important it is to fans of the show that it’s done right. Also, because this movie is 3D instead of 2D, was it more difficult to match lip flaps at all? No, there was no difficulty at all. It feels like the natural progression; this perfect blend of old school, nostalgic, hand drawn traditional 2D with the cutting-edge 3D that today’s generation is used to. And to see it – pardon the pun, but totally intended – fuse together, I think it’s natural, it’s gorgeous, and I hope they continue with this stylistic choice because it just looks so amazing. It really didn’t feel that much different to me, honestly. And I’m being very sincere, as somebody who had to look very carefully at the mouth movements for this show. It didn’t feel as though they changed the style of the mouths. The characters’ mouths still moved in the same way that their mouths moved in previous films. You don’t see them make weird shapes. If you want to get granular, we can talk about exactly what the shapes of the Dragon Ball mouths are. And they really maintained that very well. No one made faces that wouldn’t look familiar to you. I really did feel like working on a Dragon Ball show, just with beautiful, bright, gorgeous animation with angles that weren’t possible and backgrounds that were never possible in some of the other iterations of the show. I was as apprehensive as everyone else when I heard that it was going to be a CGI film, but leave it to Toei to just take something and make it spectacular in a way that still stays true to the spirit of the show. Plus, getting to see it done visually this way, this is the best excuse ever to get out of the house, into the theater – an IMAX theater if possible – wherever you’re at, for this grandiose visual and audio sensory experience in a theater packed with other fans. With the cheering and the applause and the laughter and all that. That’s something that just can’t be replicated streaming on your phone or whatnot. I agree with you there. The film is larger than life, the villains are laaaarger than life. And it would be best experienced in the theater. And that’s why I love seeing the features. My favorite experiences in the entire history of working on Dragon Ball have been going to see these movies in the theater with other people, and hearing people cheer at the right times and laugh at the right times. I think it’s the best possible way to experience Dragon Ball. Interview with Aleks Le (Gamma 1) and Zeno Robinson (Gamma 2) [gray-hex-decoration] So I’ve heard that you guys recorded your lines at the same time. How did that affect your performance? For me, it’s always hard to play a serious character and figure out how to do it well enough to stand out in the context of the movie and, even prior to that, the audition space. So it was really great to hear Zeno’s performance and use that as kind of a springboard for what I’m going to do with mine. Having him be there, it was so convenient to have that reference literally on hand. Tracing it back to the audition process, we basically auditioned for the movie together. I would text him like, “Hey, did you do your thing yet?” And he’d be like, “No, did you do your thing?” And I’d be like, “You do your thing first so I can hear what you’re doing!” It was a crucial thing for me to understand their character dynamic. We didn’t get a lot of context for the movie prior to joining the cast, so all we had was each other and those lines. And those audition lines! That’s all we got. Yeah, working with Aleks on the film, Aleks was there in the studio while I was recording and he got to sit in and listen to my session and I also got to sit in and listen to his session. Hearing him work in real time, hearing him figure out the character and place the voice, then settle into it… hearing his work and his artistry, soon ideas started to bubble within me about how I wanted to approach other lines I had already done with his character now that I had the perspective of what he was doing. It’s a rarity in anime to record that closely with someone you’re in a scene with, especially given the way the process works, but having that helped me. I was like, “Oh, can I do this line like this now, now that I’m hearing him do it?” And then he would be like, “Oh, well since he did it that way, can I go back in there and do it this way?” I really think it helped even further solidify their bond, and solidify them too as distinct characters, even though they’re kind of supposed to be identical in certain ways, especially appearance-wise. Recording with Aleks there really helped bring that cohesion to their characters. Do you have any specific examples of lines that you wanted to redo because of that? Yeah, any time they were interacting, even in the comedy scenes where they’re just talking to each other. I feel like once Zeno heard what I was doing, he was like, “No wait, let me come back in!” Not only those, but especially the battle lines. We had a lot of battle setup lines, where we were basically fighting alongside each other. And I think it was important for both of us that we set up this teamwork, this dynamic. Not only off the battlefront, but in the battle as well. If I recall correctly, I want to say there was one scene where both of our characters are yelling at the same time towards an enemy. They have this long, synchronized battle yell. I feel like I remember hearing you do yours, and being like, “Oh, can I do mine again so I can match the length of his scream so it sounds exactly the same?” And then I was like, “Can I do mine again, but I need to drop my pitch so –” (laughs) Yeah, so we don’t sound like the same guy! I think those tiny little specifics, especially in the realm of anime and dubbing, are what really elevate the quality of a dub. Yeah, especially since the characters are twins to some extent. It makes sense that you would want them to be the same and yet also somewhat different from each other. They also really want to be heroic, but they end up as villains by circumstance. What was it like for you to play these characters that had this kind of complicated loyalty to them? For me, it’s always good to take a step back from being the audience and step into the mindset of the character. Because I know Dragon Ball, and I’ve known Dragon Ball all of my life. I know Piccolo and Gohan are heroic, I know that everybody has done so much to contribute to this earth. But I have to take a look at it from the Gammas’ viewpoint. They haven’t had the pleasure of watching Dragon Ball on DVD or Blu-Ray (laughs), so they have no context to their actions. But they do have a righteous sense of justice, and I feel like any “villain’s” intention is truly based on their upbringing or the context that they’ve received. They never really portray themselves as evil, or look at it through the lens of being villains. They just have a different viewpoint and different ideas. So it was definitely a lot of fun to turn my brain off about Dragon Ball like that. I think, with these characters, they both have a very strong drive and passion for justice. That’s their compass, and that’s their leading, motivating factor in all of the things that they do. They’re so dedicated to that that, even when they’re “wrong”, they don’t think they are. And that’s where the conflict comes from. If you want to place yourself in the world of Dragon Ball, if you step back and look at it, you’ve got like seven aliens who have been on Earth… blowing things up, destroying cities. I think in Gamma 2’s first interaction with Piccolo, he’s seeing him as the Piccolo who kidnapped child Gohan and wanted world domination. The only public information about the Piccolo family is the Demon King Piccolo who once terrorized Earth. And that sounds evil, you know! So someone who turns yellow [referring to Super Saiyans] and has the capability to destroy the world… that sounds evil! I think they have their own perspective on who’s the real hero, and they’re just dedicated to enacting justice. Even though the Red Ribbon Army is manipulating them to some extent, I definitely did feel like, “Yeah, I guess from the layperson’s perspective, it would be very difficult to live in a world like that.” Even the video that Carmine plays of Trunks showing up and killing Frieza… that’s terrifying! What are these people doing on our planet killing each other?? And to end off, what do you both consider to be the most rewarding part of your career? The most rewarding part, at the end of the day, is just getting into that room and hearing all of the work and passion that you put out there. And also hearing the fan response from people who have been affected by or inspired by your work. For me, meeting Chris Sabat – our director and the voice of Piccolo and Vegeta – for the first time was like, “Oh my god, I’m talking to my childhood hero!” These performances from Dragon Ball were what inspired me to pursue anime, not only as a fan, but as an actor as well. It’s so cool to see everything come together and to have this full circle moment, to also hear from fans that the work we’re doing is important. It’s crazy to even process or think about any of this. Sometimes you don’t really realize your impact. You end up working in a bubble or a vacuum. Sometimes you feel like, “Where is all of this going? Who’s watching these things?” I get a lot of [fans saying], “This character is my comfort character,” or “Hearing your work through the pandemic was the only thing that got me through it.” And being able to tell these incredible stories that take place in worlds more fantastical than ours or that are a bit safer or more comforting than our world or are examples of what our world could be… Or just cool stuff that will never happen, but it’s cool to look at for the spectacle of it all, like Dragon Ball for example. Being able to step into those worlds and live other lives and then to step out of them and hear that those lives I’ve lived have had a positive impact and have touched people emotionally and impacted their lives, I think that’s the most rewarding. To know that I’ve connected with someone – I’ve helped someone – through my art, that also helps me. That’s the biggest blessing of it all, I think.

Final Thoughts

We loved learning all of the ins and outs of this film’s dubbing process, as well as how the actors approached their characters. But what did you think of this interview? Are you excited to see Dragon Ball Super: Super Hero? Let us know in the comments, and thanks so much for reading!

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Ang Award-Winning Directorial Debut Mula sa Kilalang Illustrator Loundraw na Dumating sa Blu-Ray™ at Digital Nobyembre 1, 2022 mula sa GKIDS

[en]Ang Kailangan Mong Malaman: [/en][es]Lo que necesitas saber: [/es]

Ang magandang animated at ang ganap na kakaibang Summer Ghost ay darating sa Blu-ray™ at lahat ng pangunahing digital platform sa Nobyembre 1 mula sa GKIDS na may pamamahagi ng Shout! Pabrika. Dahil sa inspirasyon ng isa sa sarili niyang mga guhit, dinadala ng directorial debut mula sa sikat na Japanese illustrator loundraw ang kanyang luntiang visual sensibility sa isang supernatural na drama tungkol sa mga pasakit ng paglaki, at ang kahalagahan ng pamumuhay nang lubos. Kasama sa mga bonus feature ang feature-length na dokumentaryo na To You Before Dawn, isang feature na animatic, at isang panayam sa loundraw. Ipapalabas ang Summer Ghost sa orihinal nitong bersyon ng wikang Japanese pati na rin ang isang bagong-bagong English language dub, at available para sa pre-order ngayon sa pamamagitan ng pagbisita sa ShoutFactory.com at GKIDS.com/store. https://www.youtube.com/watch?v=2grWP4ts8RU Ipinagdiriwang para sa kanyang mga detalyadong spatial na disenyo, paggamit ng transparent, mahangin na mga kulay at atensyon sa depth of field, sinimulan ni loundraw ang kanyang karera bilang isang ilustrador noong siya ay tinedyer, maagang nahanap tagumpay sa mga online platform. Gumawa rin siya ng mga pangunahing visual para sa iba’t ibang kilalang manunulat, kabilang ang paglalarawan para sa nobelang”I Want to Eat Your Pancreas,”na kalaunan ay inangkop sa isang theatrical film. Sa labas ng kanyang trabaho sa ilustrasyon, ang debut original animation ni loundraw na”Until Dreams Awaken”ay inilabas sa YouTube sa pakikipagtulungan ng napakasikat na Japanese rock band na BUMP OF CHICKEN, at mabilis na nakakuha ng mahigit 2 milyong view, at siya ang naging concept designer para sa kamakailang anime. adaptasyon ni Josee, the Tiger and the Fish. Naisip bilang isang”maikling tampok,”ang Summer Ghost ay nagpapakita ng mga orihinal na disenyo ng karakter mula sa loundraw, at ginawa ng FLAT STUDIO, ang bagong-bagong animation studio na itinatag niya noong 2019. Ang screenplay ng pelikula ay isinulat ng nobelang si Hirotaka”Otsuichi”Adachi, at ang Ang soundtrack ay sa pamamagitan ng internationally renowned pianist na si Akira Kosemura. Inilabas sa mga sinehan sa Japan noong 2021, ang pelikula ay nakakuha ng malawak na paglalaro sa festival sa loob at labas ng bansa, kabilang ang mga screening sa Leeds International Film Festival (International Premiere), Annecy International Film Festival, at Fantasia International Film Festival, kung saan ito ay ginawaran ng Gold Audience Award para sa Maikling Pelikula.

Synopsis

Sinasabi ng isang urban legend na ang pagsisindi ng mga paputok sa isang abandonadong paliparan ay maghihikayat sa”summer ghost,”isang espiritung makakasagot sa anumang tanong. Tatlong teenager na sina Tomoya, Aoi, at Ryo, ay may kanya-kanyang dahilan para magpakita balang araw. Nang lumitaw ang isang multo na nagngangalang Ayane, ipinahayag niya na nakikita lamang siya ng mga”na malapit nang mahawakan ang kanilang kamatayan.”Napilitan ng multo at ng kanyang mensahe, nagsimulang regular na bumisita si Tomoya sa paliparan upang tuklasin ang tunay na layunin ng kanyang mga pagbisita.

Mga Tampok na Bonus ng Summer Ghost

· Dokumentaryo Para Sa Iyo Bago Mag-Liwayway · Feature Animatic · Panayam sa loundraw

Summer Ghost English Dub Voice Cast

Tomoya – David Errigo Jr. Ayane – Megan Taylor Harvey Ryo – Clifford Chapin Aoi – Kyla Carter Tomoya’s Mom – Anne Yatco Ayane’s Mom – Anne Yatco

[en]Source: [/en][es]Fuente: [/es]Opisyal na Press Release

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Mula nang nai-publish ni Masamune Shirow ang unang manga Ghost in the Shell noong 1989, nagkaroon na ng ilang anime adaptation lumitaw sa buong taon. At bukod sa serye ng SAC, ang bawat adaptasyon ay pinangunahan ng iba’t ibang direktor, na may sariling malikhaing ideya at direksyon na nais nilang ituloy. Ang simpleng katotohanang iyon ay nagresulta sa isang natatanging sitwasyon kung saan mayroon tayong iba’t ibang lasa ng Ghost in the Shell sa ating mga kamay. Ang artikulong ito ay titingnan ang iba’t ibang lasa ng bawat serye ng Ghost in the Shell. Sana, magagamit mo ito bilang isang paraan upang magpasya kung alin ang pinakagusto mo. Iyon ay sinabi, sa halip na ang kuwento, mas magtutuon kami sa kapaligiran, na isinasalin sa visual, tunog, at pangkalahatang mood ng anime. Magsimula tayo sa unang lasa.

The Original Ghost in the Shell Movies

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Ang orihinal na Ghost in ang pelikulang Shell ay ang pelikula noong 1995 na may parehong pangalan, at ang stand-alone na sequel nito noong 2004, Ghost in the Shell 2: Innocence. Parehong idinirehe ng maalamat na direktor ng anime, si Mamoru Oshii. Hindi tulad ng ibang Ghost in the Shell anime adaptations, ang dalawang pelikulang ito ay may malungkot at mapanglaw na kapaligiran para sa kanila. Halos maramdaman mo ang pagkabalisa at desperasyon ng mga taong naninirahan sa futuristic na lungsod na ito na pinalamutian ng nakakabulag na mga ilaw ng neon. Ang nakakatakot na choral song na tumatangging iwan kang mag-isa sa kabuuan ng pelikula ay nagpapataas pa ng nakakatakot na pakiramdam na iyon. Maliban sa marangyang cybernetic tech, ang dalawang pelikulang ito ay tumatalakay din sa mabibigat na paksa tulad ng existential crisis at sinusubukang hanapin ang sagot sa tanong kung ano ang ibig sabihin ng pagiging tao. Ito ay hindi isang pelikula para sa isang batang manonood. Ang pelikulang ito ay isang nakuhang panlasa. Kapag nasa buhay ka na, mas maa-appreciate mo ang lahat ng maibibigay ng mga pelikulang ito. Sa isang paraan, ito ay tulad ng mature na lasa ng dark chocolate.

Ang Ghost in the Shell: Stand Alone Complex Series

Ghost in the Shell: Stand Alone Complex ay may tatlong magkakaibang pakete. Ang unang season na may parehong pangalan at ipinalabas noong 2002, ang sequel nito, Ghost in the Shell: S.A.C 2nd Gig noong 2004, at isang 2006 sequel film na tinatawag na Ghost in the Shell: Stand Alone Complex-Solid State Society. Ang Stand Alone Complex ay isang mas masigla at optimistikong serye kumpara sa mga orihinal na pelikula. Ang mundo ay maliwanag at medyo may pag-asa dito. Ang mga visual ay hindi mapagpanggap ngunit nag-aalok pa rin ng top-of-the-line na animation para sa oras nito. Ang pagpili ng nakararami sa Rock at RnB na mga kantang kasama ng serye ay angkop ding representasyon ng musikal na panlasa ng masa sa panahong iyon. Ang seryeng Stand Alone Complex ay ang isang adaptasyon na pangkalahatang nagustuhan ng mga tagahanga ng Ghost in the Shell. At sa maraming tao, ang seryeng ito ay ang kanilang pagpapakilala sa prangkisa na ito. Iyon ang dahilan kung bakit ang Stand Alone Complex ay bahagi ng isang masayang alaala ng kabataan para sa maraming tao. Ang likas na minamahal ng lahat ay talagang katulad ng tsokolate ng gatas.

The Ghost in the Shell: Arise Series

Ghost in the Shell: Arise ay isang limang bahagi na serye ng OVA na ipinalabas sa pagitan ng 2013 hanggang 2015. Ang mga OVA na ito ay tinatawag na Ghost in the Shell Arise: Mga Hangganan. Nang maglaon, ang mga OVA na ito ay ginawang isang regular na 10-episode na anime sa ilalim ng pangalan ng Ghost in the Shell Arise-Alternative Architecture. Ang huling yugto sa seryeng ito ay isang pelikula noong 2015 na tinatawag na Ghost in the Shell: The New Movie. Parehong may sariling timeline at kuwento ang orihinal na pelikula at ang Stand Alone Complex. Maliban sa mga karakter, mundo, at konsepto, wala sa kanila ang talagang may kinalaman sa isa’t isa. Ang seryeng Arise ay ang unang Ghost in the Shell na talagang konektado sa nakaraang Ghost in the Shell adaptation. Sa kasong ito, ang Arise ang talagang prequel sa mga orihinal na pelikula. Sa katunayan, ang pagtatapos ng 2015 Arise na pelikula ay eksaktong simula ng 1995 na pelikula. Iyon ay sinabi, sa lalong madaling panahon ay nagiging maliwanag na ang serye ay nasa isang uri ng isang dilemma. Storywise, sinusubukan ni Arise na pag-usapan ang parehong mabigat na paksa, ipahiwatig ang parehong mood, at pukawin ang parehong damdamin tulad ng orihinal. Sa pagtatanghal, gayunpaman, ito ay mukhang mas malutong at mas malinis na bersyon ng SAC. Ang mga kanta at ang pangkalahatang tunog ay puno ng ambient na musika na sikat sa sikat na minimalist na kilusan noong panahong iyon. Gamit ang musika na talagang tamang representasyon ng panahon nito, tulad ng SAC. Ang ganitong uri ng palaisipan ang dahilan kung bakit gustung-gusto ito ng ilang mga tagahanga, habang ang iba ay walang pakialam dito. Sinusubukan ng Arise na maging kopya ng orihinal habang nag-aalok ng dagdag na maaaring hindi paborable sa ilang tao, tulad ng isang Bittersweet Chocolate, na karaniwang isang sobrang mapait na dark chocolate.

The Ghost in the Shell: SAC_2045 Series

Nakarating na kami sa wakas sa pinakabagong edisyon ng iconic na franchise na ito, ang Netflix-produce, 2020 na anime na tinatawag na Ghost in the Shell: SAC_2045. Sa kasalukuyan, mayroong dalawang season na available at isang compilation movie ng unang season na tinatawag na Ghost in the Shell: SAC_2045 Sustainable War. Gaya ng ipinahihiwatig ng pangalan, ang seryeng ito ay direktang pagpapatuloy ng Stand Alone Complex na anime. Idinirek pa ito ng iisang tao, si Kenji Kamiyama. At tulad ng hinalinhan nito, sinusubukan din ng SAC_2045 na magpakita ng medyo maliwanag at madaling pakiramdam sa serye. Ang modernong hip-hop at upbeat na jazzy na mga himig na maririnig mo sa buong serye ay nagbibigay-diin din sa mood na iyon. Ginagamit pa rin ang sikat na musika ng panahon, tulad ng orihinal na Stand Alone Complex. Ang SAC_2045 ay ang unang Ghost in the Shell na gumagamit ng buong CGI para sa lahat. Ang resulta ay isang malinis at malulutong na animation na hindi katulad ng ibang anime sa franchise. Maaaring sabihin ng ilan na ito ay masyadong pulido hanggang sa puntong halos wala nang DNA ng orihinal na serye ang natitira dito. Kaya ito ay teknikal na batay sa orihinal, ngunit sa parehong oras, ito rin ay medyo malayo mula sa orihinal, uri ng tulad ng puting tsokolate.

Mga Huling Kaisipan

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Wala talagang masamang Ghost in the Shell anime adaptation doon. Oo naman, ang ilan ay maaaring mas mahusay kaysa sa iba, ngunit lahat ng mga ito ay may kani-kaniyang stand-out na mga punto. Kaya sa halip na mabuti o masama, ito ay higit na katulad ng bawat bersyon ay may sariling natatanging lasa, at bawat lasa ay may sariling mga tagahanga. At tulad ng isang bar ng tsokolate, minsan hindi mo malalaman kung alin ang pinakagusto mo hangga’t hindi mo ito sinusubukan. Aling bersyon ng Ghost in the Shell ang pinakagusto mo? At sa talang iyon, ano ang paborito mong uri ng tsokolate? Huwag mag-atubiling ipaalam sa amin sa seksyon ng komento sa ibaba.

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Coveted Animation Collection Available Para sa Digital Rental Sa Digital Transactional Platforms Sa U.S. At Canada Noong Agosto 30, 2022, Sa Lahat ng Pangunahing Platform Kabilang ang: Apple TV, Amazon VOD, Vudu, Google Play, At Microsoft

[en]Ang Kailangan Mong Malaman: [/en][es] Lo que necesitas saber: [/es]

Ang GKIDS, ang kinikilalang producer at distributor ng animation para sa adult at family audience, ay nag-anunsyo na ilalabas nito ang catalog ng Japan’s legendary, Oscar®-winning animation house, Studio Ghibli, para sa digital download-to-rent sa United States at Canada sa Agosto 30, 2022. Magiging available na rentahan ang mga pelikula sa parehong English at Japanese na wika sa karamihan ng mga pangunahing digital transactional platform. Ito ang unang pagkakataon na magiging available ang mga pelikulang Studio Ghibli para sa digital rental sa North America. Kasunod ito ng paglabas ng GKIDS ng buong Studio Ghibli catalog para sa digital download-to-own sa unang pagkakataon noong 2019. Bukod pa rito, naglunsad ang GKIDS ng eksklusibong deal sa streaming sa US sa HBO Max para sa Studio Ghibli library, simula noong Mayo 2020. [sourceLink asin=””asin_jp=””bookwalker_id=””cdj_product_id=””text=””url=””] Ang Studio Ghibli ay isa sa pinaka kinikilala at maimpluwensyang mga animation studio sa mundo, na nagbibigay inspirasyon sa mga gumagawa ng pelikula at mga manonood sa nakalipas na 30 taon kasama ang minamahal mga kwento at nakamamanghang visual. Sa ilalim ng kinang ng mga visionary animation director na sina Hayao Miyazaki at Isao Takahata, at producer na si Toshio Suzuki, ang mga pelikula ng studio ay nanalo ng hindi mabilang na mga internasyonal na parangal, kabilang ang isang Academy Award® para sa Best Animated Feature para sa Spirited Away, pati na rin ang limang karagdagang nominasyon ng Academy Award® para sa Howl’s Moving Castle, The Wind Rises, The Tale of The Princess Kaguya, When Marnie Was There, at The Red Turtle. Ang direktor at studio co-founder na si Hayao Miyazaki ay magkahiwalay na binigyan ng Honorary Award sa Academy of Motion Picture Arts and Sciences’Governors Awards noong 2014, at ang Academy Museum of Motion Pictures ay nagbigay pugay sa kanyang likhang sining sa pamamagitan ng isang espesyal na eksibisyon sa inaugural. Ang kinikilalang katalogo ng Studio Ghibli ng mga pelikulang inilabas para sa digital download-to-rent ay kinabibilangan ng: Castle in the Sky The Cat Returns Earwig and the Witch From Up on Poppy Hill Howl’s Moving Castle Serbisyong Paghahatid ni Kiki My Neighbor Totoro My Neighbors the Yamadas Nausicaä of the Valley of the Wind Ocean Waves Only Yesterday Pom Poko Ponyo Porco Rosso Princess Mononoke The Secret World of Arrietty Spirited Away The Tale of The Princess Kaguya Tales from Earthsea When Marnie was there Whisper of the Heart The Wind rise Starting August 16, the Studio Ghibli catalog will maging available para magrenta nang digital sa HD para sa iminungkahing retail na presyo na $4.99 bawat pelikula.

[en]Pinagmulan: [/fil][es]Fuente: [/es]Opisyal na Press Release

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Mga Paboritong Pelikula ng Anime ng Tagahanga na Inilulunsad sa Crunchyroll Tuwing Huwebes

[en]Ang Kailangan Mong Malaman: [/tl][es] Lo que necesitas saber: [/es]

Patuloy na pinapalawak ng Crunchyroll ang cinematic na koleksyon nito na may mga maiinit na bagong pamagat na darating ngayong Setyembre sa unang pagkakataon sa serbisyo ng anime streaming, kabilang ang blockbuster hit na JUJUTSU KAISEN 0, ang prequel na pelikula sa critically acclaimed anime series na JUJUTSU KAISEN, pati na rin ang isang bagong pelikula tuwing Huwebes. Ang pelikula mula sa Toho Animation, JUJUTSU KAISEN 0, ay batay sa JUJUTSU KAISEN 0 (JUMP COMICS/Shueisha), ang prequel na manga sa sikat na serye na isinulat at inilarawan ni Gege Akutami. Ang pelikula ay ipinamahagi ng Crunchyroll sa US at mga piling internasyonal na merkado, na tumanggap ng higit sa $34M sa North American box office, na may kabuuang $166M sa buong mundo. Ilulunsad din ang mga klasikong pamagat tulad ng The Girl Who Leapt Through Time ni Mamoru Hosoda, ang Afro Samurai: Resurrection ni Fuminori Kizaki na pinagbibidahan ni Samuel L. Jackson, Masahiro Andō’s Sword of the Stranger, at Naoyoshi Shiotani’s PSYCHO-PASS Sinners of the System trilogy. sa Crunchyroll ngayong buwan. Bukod pa rito, ang ODDTAXI in the Woods, isang muling pagsasalaysay ng serye ng anime na ODDTAXI na may mga dagdag na eksena, kasama ang mga compilation na pelikula mula sa mga sikat na franchise na Free!, Code Geass, at Black Butler ay papasok na rin sa serbisyo. Mula noong Agosto 11, ang Crunchyroll ay nagdaragdag ng mga bagong anime na pelikula sa platform nito bawat linggo, kabilang ang AKIRA ni Katsuhiro Otomo, ang pangalan mo ng Makoto Shinkai., Ang Wolf Children ni Mamoru Hosoda at The Boy and the Beast, pati na rin ang Josee, the Tiger and the Fish, The Stranger by the Shore, and Sing a Bit of Harmony. Magpapatuloy ang mga bagong patak ng pelikula hanggang Oktubre. Tingnan sa ibaba ang buong listahan ng mga pelikulang paparating sa Crunchyroll ngayong Setyembre:

SETYEMBRE 1

Afro Samurai: Resurrection (Gonzo) Ipinaghiganti ni Afro Samurai (Samuel L. Jackson) ang kanyang ama at natagpuan isang buhay ng kapayapaan. Ngunit ang maalamat na master ay pinilit na bumalik sa laro ng isang maganda at nakamamatay na babae mula sa kanyang nakaraan. Wala nang mas matindi ang apoy ng poot kaysa sa mga mata ni Sio (Lucy Liu: Kill Bill). Hindi siya titigil hangga’t hindi nakakapag-aral si Afro sa mga brutal na aral na ginawa niya sa mga humahadlang sa kanya. – Kuwento at Direksyon ni Fuminori Kizaki https://www.youtube.com/watch?v=XLy5WXBIvqw BanG Dream! Poppin’Dream! (SANZIGEN) – Sa direksyon ni Masanori Uetaka https://www.youtube.com/watch?v=6V796CEflWs

SEPTEMBER 8

ODDTAXI in the Woods (OLM) Ang driver ng Walrus taxi na si Odokawa ay namumuhay nang malungkot nang walang pamilya, mga aktibidad sa lipunan, o nakakaganyak na pag-uusap. Mga kaibigan lang niya? Ang kanyang doktor at dating kaklase sa high school. Ngunit ang kanyang makamundong pag-iral ay itinapon sa kaguluhan habang ang mga pakikipag-ugnayan sa tila hindi magkakaugnay na pamasahe-isang mag-aaral sa kolehiyo, isang nars, isang comedy duo, isang hoodlum, at isang idol group-ay nakikipag-ugnayan sa isang nanganganib na nawawalang batang babae. – Directed by Baku Kinoshita https://www.youtube.com/watch?v=iw5h0kHnci8 PSYCHO-PASS Sinners of the System: Case.1 Crime and Punishment (Production I.G) – Directed by Naoyoshi Shiotani https://www.youtube.com/watch?v=cyjZ74IIQGU PSYCHO-PASS Mga Makasalanan ng System: Case.2 First Guardian (Production I.G) – Directed by Naoyoshi Shiotani https://www.youtube.com/watch?v=1aRjfmX1GbM PSYCHO-PASS Mga Makasalanan ng System: Case.3 Beyond the Pale of Vengeance (Production I.G) – Directed by Naoyoshi Shiotani https://www.youtube.com/watch?v=i6_JHjdtYx4

SETYEMBRE 15

The Girl Who Leapt Through Time (Madhouse) Pagkatapos magising ng huli, pinalampas ang kanyang pop quiz, pinahiya ang sarili sa maraming pagkakataon, at nagsimula ng isang sunog sa kanyang klase sa home economics, naisip ng estudyante sa high school na si Makoto Konno na isa sa mga araw na iyon. At kapag naisip niyang nakalusot na siya, hindi gumana ang preno ng kanyang bisikleta, na naglagay sa kanya sa isang banggaan sa isang mabilis na tren. Ang aksidenteng nagtatapos sa buhay ay magiging perpektong pagtatapos sa pinakamasamang araw kailanman, ngunit ang kakaibang bagay ay nangyayari-siya ay tumalon pabalik sa oras. (Opisyal na Trailer) – Sa direksyon ni Mamoru Hosoda https://www.youtube.com/watch?v=HpWejxBaJb8 Sword of the Stranger (BONES) Ang klasikong kuwentong ito mula sa studio na BONES ay isang nakatagong hiyas nito oras na! Hinabol ng mabibigat na Chinese assassin, ang batang Kotaro at ang kanyang aso ay nakatagpo ng No Name, isang misteryosong estranghero na hinila sa paghabol. Ang hindi malamang na mga kasama ay bumubuo ng isang bono sa pag-save ng aso mula sa isang pag-atake ng lason, ngunit ang kaguluhan ay sumabog nang mahanap ng mga assassin si Kotaro, at dapat harapin ng No Name ang kanyang nakaraan bago muling matugunan ang isang kakila-kilabot na kapalaran. – Sa direksyon ni Masahiro Andō https://www.youtube.com/watch?v=4uMKL1Tat3Y Black Butler: Book of the Atlantic (A-1 Pictures) Lahat ay sakay sa susunod na mahusay na pakikipagsapalaran para kay Ciel at ang demonyo niyang mayordomo, si Sebastian! Matapos marinig ang mga alingawngaw ng isang kakaibang lipunan na nagbabalik ng mga tao mula sa mga patay, sumakay ang dalawa sa luxury liner na Campania sa kanyang unang paglalakbay upang mag-imbestiga. Incognito sa gitna ng mahiwagang Aurora Society, nakakita sila ng mga pamilyar na mukha at isang tanawing hindi nila mapaniwalaan—isang babaeng nabuhay mula sa mga patay! Ngunit ang sorpresa ay mabilis na napalitan ng pangamba nang umatake ang kumakalat na bangkay. – Directed by Noriyuki Abe https://www.youtube.com/watch?v=tDptaX3jRbY

SEPTEMBER 21

JUJUTSU KAISEN 0 (MAPPA) JUJUTSU KAISEN 0 follows Yuta Okkotsu, a kinakabahan na estudyante sa high school, na nag-enroll sa misteryosong Tokyo Jujutsu High School sa ilalim ng patnubay ni Satoru Gojo matapos na minumulto ng sumpa ng kanyang kaibigan noong bata pa. – Sa direksyon ni Sunghoo Park https://www.youtube.com/watch?v=2docezZl574

SEPTEMBER 22

Mabilis!-Libre! Starting Days-(Kyoto Animation)Bago sila gumawa ng wave sa high school, kinuha ni Haru at Makoto ang kanilang mga marka sa junior high! Suriin ang nakaraan kasama ang iyong mga paboritong swimming boy at mga bagong mukha habang natututo sila kung ano ang ibig sabihin ng magtulungan at magkaroon ng mga bagong kaibigan. – Sa direksyon ni Yasuhiro Takemoto https://www.youtube.com/watch?v=EUTtUhjaFFo Libre!-Timeless Medley-The Bond (Kyoto Animation) Lumalangoy sina Haru at Rin patungo sa magandang kinabukasan. Ngunit kaya ba nilang harapin ang mga pagsubok na naghihintay sa kanila? Pagkatapos ng lahat ng kanilang pinagdaanan, kasama ang kanilang mga kaibigan sa kanilang tabi, sila ay gagawa ng splash! – Sa direksyon ni Eisaku Kawanami https://www.youtube.com/watch?v=RJL8pNrk3hI Libre!-Timeless Medley-The Promise (Kyoto Animation) Lumalangoy sina Haru at Rin patungo sa magandang kinabukasan. Ngunit kaya ba nilang harapin ang mga pagsubok na naghihintay sa kanila? Pagkatapos ng lahat ng kanilang pinagdaanan, kasama ang kanilang mga kaibigan sa kanilang tabi, sila ay gagawa ng splash! – Sa direksyon ni Eisaku Kawanami https://www.youtube.com/watch?v=nalh0pP59lg Libre!-Daan Patungo sa Mundo-ang Pangarap (Kyoto Animation) Nang magsimula sa kolehiyo sina Haru at Makoto, nakatagpo sila ng hindi inaasahan—ang mga dati nilang kasamahan mula sa middle school. Nasaktan pa rin mula sa kanilang koponan na biglang natunaw, si Ikuya ay lumabas upang patunayan na siya ay mas mahusay kaysa kay Haru. Ngunit mas maraming banta ang nasa tubig ng kompetisyon! – Sa direksyon ni Eisaku Kawanami https://www.youtube.com/watch?v=dRtgeOwCBRk

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